Built on one conviction.
Working across original film, branded and corporate video, legacy and event films, and portraiture, Juan Kurtis Productions serves as a single narrative partner from concept through completion. The studio is built on one conviction: that the stories worth telling are the ones history overlooks, and that hope means more when the audience watches it get earned.
I’m at peace either way.
I’m TJ Griffin, and I named my studio Juan Kurtis, from my full name, Tajuan Kurtis. It means “chosen one of God, well-bred and courteous.” I didn’t choose it as a tagline. I chose it because it’s the truth I’ve spent my life trying to live up to.
Last July, a reaction to a medication shut down my digestive system. I couldn’t swallow. For weeks I lived on IV lines, then months on liquids. I didn’t eat solid food again until the following spring. I had to learn how to swallow, like a child learning it for the first time.
I’ll never forget the day in that hospital bed, looking out over the St. Johns River, my mother sitting beside me. She asked, “Are you okay?” I knew what she was really asking. I told her, “I’m at peace either way.” Then a text came from my pastor, a short video, and one line stayed: “What you say, I will seal in your cells.” So I spoke. Over my body. Over my health. And the light I couldn’t yet see began, slowly, to come.
I climbed out of that valley with one conviction: I would never let an opportunity pass again. I went all in on the craft, and Juan Kurtis Productions came back to life after nearly a year gone dark.
That’s why I make films for the overlooked, the ones sitting in the shadow, wondering if they matter. I don’t hand them easy hope. I sit with them in the dark, honor what’s hard, and walk them into a light they can feel they’ve earned. Because I’ve made that walk.
Stories that earn their hope.
TJ Griffin, founder. Tajuan Kurtis Griffin in the credits.
What we believe.
Earned, never handed.
Hope that skips the shadow is decoration. We sit in the dark, honor what’s hard, and walk to a light the audience feels they’ve earned.
Covered and respected.
Everyone on a JKP set, cast, crew, client, subject, is briefed, protected, heard, and cared for. The way we treat people is the same story our films tell.
Culture is load-bearing.
Cultural detail carries ancestry and meaning. It is structural, never ornamental. If it could be swapped out without changing the story, it doesn’t belong.
Faithful through the fall.
We don’t perform flawlessness. Our authority comes from having made the walk ourselves.
Partner, not vendor.
We hold a point of view. Vendors say yes to everything. Partners tell you what the story needs.
Trust the audience.
We leave people something to wrestle with. Respecting the viewer’s intelligence is part of respecting the viewer.
Every story starts with The Story Session.
Before a single frame, we find your story’s shape:
The shadow.
The tension, the struggle, the thing you overcame.
The turn.
The decision or conviction that changed it.
The earned light.
The outcome, told honestly.
The thread.
What your audience carries out of the room.